The image of the main character in Karamzin’s story “Natalya, the boyar’s daughter. Characteristics of the main characters of the work Natalya Boyarskaya's daughter is very urgent!!!!!!!!!!!!!!!!!!!!! Characteristics of one of the heroes Natalya Boyarskaya daughter
Alexei told Natalya that he was the son of the unjustly convicted boyar Lyuboslavsky, who was slandered, after which he left Russia. Alexey hid this secret from everyone because he was afraid that the tsar would treat him fairly, but he told Natalya because he fell in love with her and saw reciprocity.
The lovers found themselves bound by a secret, and they had no choice but to run away to be together. But without the help of a nanny and a priest, they would not have succeeded. The nanny arranged their meeting, and the priest agreed to get married. What also helped them was complete trust in each other.
Natalya, as stated in the story, is a boyar’s daughter. She was brought up according to the rules of that time, in love and severity. She was distinguished by her extraordinary beauty, loved nature, and treated her father with respect and love. Her character is solid, strong, and her soul is trusting. Natalya knows how to love and can be a loyal and devoted friend, which was evident at the moment when Alexey went to war.
Alexei was the son of a slandered boyar who left Russia. After the death of his father, Alexey returned secretly, which proves his devotion to his homeland. He is a purposeful person, capable of taking a decisive step. A passionate nature that inspires the trust of others. Alexey always achieves his goal, his impulses and desires are noble. Among other things, Alexey is close to beauty - he is a talented artist.
Alexey and Natalya are people made for each other. friend.
Characteristics of Alexei and Natalya in the story “Natalya, the Boyar’s Daughter” by Karamzin
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About this work by N. M. Karamzin it should be said that it is not as well known to readers as “ Poor Lisa" We will try to convey the essence of this small work.
The events of the work take place during pre-Petrine Russia. The heroine after whom the story is named is the daughter of the rich boyar Matvey. Her mother died, the girl was raised by a nanny. Natalya's life is subject to the rules of Domostroy.
As Karamzin writes, Natalya, the boyar’s daughter, attends church every morning, accompanied by her nanny, and then gives alms to people in need. At home, the girl does needlework: embroiders, weaves lace, and sews.
The story “Natalya, the Boyar’s Daughter” tells us that one of the girl’s few entertainments is a walk with her nanny in the garden, after which she again engages in needlework.
In the evenings, she can communicate with her friends, of course, under the supervision of a nanny.
The girl's life is uneventful, which, of course, makes Natalia dreamy. She is very kind, sincere, loves her loved ones. Considering the summary of “Natalia, the Boyar’s Daughter,” we note that the young noblewoman is able to perceive the beauty of nature. She admires Moscow.
The girl has all feminine virtues: she is obedient, loves to work. In a word, Natalya absorbed all the rules of Domostroy.
However, as Karamzin notes, Natalya, the boyar’s daughter, of course, could not help but dream of love. The meeting with my lover took place in church. A girl fell in love with a complete stranger young man. The next day she again goes to God’s temple, but does not meet Him there. Natalya is truly upset, she is sad, she cannot eat or drink. A new meeting with her lover makes her happy. A kind nanny helps a girl meet a young man, as Karamzin continues his story (“Natalya, the Boyar’s Daughter”). The main characters, the young noblewoman and Alexei, decide to run away and get married secretly.
Karamzin shows us the girl’s experiences. She experiences her first love and blindly trusts Alexei, but this bright feeling is overshadowed by a feeling of guilt before her father, she is ashamed of him. However, Natalya, following the rules of Domostroy, is ready to obey her husband in everything, like a true wife. The girl finds true happiness with Alexei, but prays that her father will forgive her. Natalya’s immense happiness was suddenly darkened by the fact that her husband had to go to war. Fate forces the girl to do the impossible for many very strong women: she hides her hair, puts on warrior clothes and fights the enemy like a real man. Such a selfless act could not help but force her father to forgive her.
The image of boyar Matvey
So, the summary of “Natalia, the Boyar’s Daughter” was quite able to convey the plot of the story. However, we did not say a word about the girl’s father, Matvey Andreev. His image is by no means the personification of a significant statesman, what it should be, according to the plot. Karamzin endows him with many virtues, but the image remains pale. This person is capable of shedding tears in sorrow and in joy. However, such a faded image was not created by Karamzin by chance; it helps to understand the ideological orientation of the work.
Picture of an “ideal” monarchy
Perhaps such a remark is unnecessary if our task is to convey a brief content. “Natalia, the Boyar’s Daughter” is a work in which the image of an “ideal” monarchy is created. In such a state, the only concern of the king is the well-being of his own environment. The monarch is lenient towards his subjects. The simplicity of treatment described in the work is completely different from the licentious morals that reigned under Catherine. The king's close associate is a faithful adviser who never took advantage of his position. In his work, Karamzin exposes the vicious aspects of the reign of Catherine the Great.
The attitude of the people towards the king's associates
In his work, Karamzin points out that the boyar Matvey is a royal servant who, like the sovereign, is endowed with many human virtues. He is smart, rich, hospitable. Matvey is an intercessor for his neighbors, their patron. However, the author does not say a word about how the boyar carries out his service. It only tells about the people's love for this statesman.
In reality, the people hated the tsar’s associates, which is an absolute contrast to the picture created by Karamzin.
Historical era
The historical events described in the work most likely relate to the second half of the seventeenth century. Presumably, this is the era of the reign of Alexei Mikhailovich. The sovereign in the work is portrayed as very pious and sensitive. He consoles those close to him, and only a violation of the principles of justice can anger him.
This work quite openly indicates what order should be in the state, what the monarch and his entourage should look like.
The historical background helps to understand that such a love story could have a happy ending only in conditions of state harmony.
The true portrait of Tsar Alexei Mikhailovich
The romantic plot of the story did not find room to talk about other aspects of the reign and character traits of this sovereign.
Under him, denunciations were accepted, and the “peaceful” king was in fact quite hot-tempered, allowed himself to scold, and also sometimes resorted to assault. In particular, it is a known fact that at a meeting of the Boyar Duma, the sovereign beat and expelled boyar Miloslavsky, who was his father-in-law.
Prototype of boyar Matvey
There are suggestions that the image of Natalya’s father is “copied” from a real historical character. Most likely, he became the boyar A.S. Matveev, who was subjected to violent death during the palace coup of 1682.
We have finished the presentation summary the work “Natalia, the Boyar’s Daughter”, the main idea of which is that with correct and fair rule all people can be happy. In conclusion, I would like to add that Karamzin turned to the history of the Russian state in order to show how different the past of our land is from the modern worship of everything foreign. Such condemnation of “foreign insanity” is also intended to appeal to the patriotic feelings of compatriots.
Let us note that although Karamzin did not reveal the psychology of a 17th-century girl, he still managed to reproduce some everyday features characteristic of that time quite successfully. The story plausibly describes the prison life of a Russian girl, and “the prison chamber” did not at all burden Natalya’s young girlish soul. Getting up early, Natalya put on a “silk dress” and a “damask padded warmer” (later this detail of a woman’s costume disappears). Occasionally, a “society” of young girls would gather at Natalya’s place, and the boyar himself would amuse them with stories about “the adventures of the pious Prince Vladimir and the mighty Russian heroes.” Sometimes Natalya herself went to parties, where “mothers” and “nannies” invented various fun things for their young ladies.
Trying to create the inner appearance of Natalya, as characteristic of a Muscovite woman of the 17th century, Karamzin notes only that “lovely Natalya” also had a “lovely soul”, “was gentle as a turtledove, innocent as a lamb”, in a word, she was “a well-bred girl , although I haven’t read any of the works of Rousseau, Locke, Kamen, Weiss, or Moritz” (but the author himself read them, which left a very noticeable imprint on the image of the heroine of the story).
Karamzin's persistent desire to reveal to the reader the inner appearance of the characters in his story leads to their modernization in psychological terms. Thus, quite in the spirit of sentimentalism contemporary to Karamzin, the love relationship of the inhabitants of pre-Petrine Rus' Alexei and Natalya is described: when they meet, the “lovers” turn pale, almost faint, and tears constantly flow from their eyes.
Karamzin is not limited only to the external description of Natalia’s beauty; he also notes the impact of her beauty on those around her: thus, “the most pious old men, seeing the boyar’s daughter at mass, forgot to bow to the ground,” and even “the most partial mothers gave her preference over their daughters.”
Who among us does not love those times when Russians were Russians, when they dressed up in their own clothes, walked with their own gait, lived according to their own customs, spoke in their own language and according to their own hearts, that is, they spoke as they thought? At least I love these times; I love to fly on the swift wings of imagination into their distant gloom, under the canopy of long-decayed elms, to look for my long-bearded ancestors, to talk with them about the adventures of antiquity, about the character of the glorious Russian people, and to tenderly kiss the hands of my great-grandmothers, who cannot get enough of their respectful great-grandson , but they can talk a lot with me, marvel at my intelligence, because when I talk with them about old and new fashions, I always give preference to their undercuts and fur coats over the current bonnets a la... and all the Gallo-Albion outfits shining on Moscow beauties in the end eighth to tenth century. Thus (of course, understandable to all readers), old Rus' is known to me more than to many of my fellow citizens, and if the gloomy Parka does not cut the thread of my life for a few more years, then finally I will not find a place in my head for all the anecdotes and stories told to me by the inhabitants of past centuries. To lighten a little the burden of my memory, I intend to tell dear readers one true story or story that I heard in the region of shadows, in the realm of imagination, from my grandfather’s grandmother, who at one time was considered very eloquent and almost every evening she told fairy tales to Queen NN. I’m just afraid of disfiguring her story; I’m afraid that the old woman will come rushing on a cloud from the other world and punish me with her stick for bad rhetoric... Oh no! Forgive my recklessness, generous shadow - you are inconvenient for such a thing! In your very earthly life you were meek and gentle, like a young lamb; your hand did not kill here either a mosquito or a fly, and the butterfly always rested calmly on your nose: so, is it possible that now, when you are swimming in a sea of indescribable bliss and breathing the purest ether of the sky, is it possible that your hand will rise to your humble great-great-grandson? No! You will allow him to freely practice the commendable craft of staining paper, making tall tales about the living and the dead, testing the patience of his readers, and finally, like the ever-yawning god Morpheus, throwing them onto soft sofas and plunging them into deep sleep... Ah! At this very moment I see an extraordinary light in my dark corridor, I see fiery circles that are spinning with brilliance and a crackling sound and, finally - lo and behold! - show me your image, the image of indescribable beauty, indescribable majesty! Your eyes shine like the suns; your lips turn red like the morning dawn, like the tops of snowy mountains at the rising of the daylight - you smile, like the young creation smiled on the first day of its existence, and I hear in delight sweet-thundering your words: “Continue, my dear great-great-grandson!” So, I will continue, I will; and, armed with a pen, I will courageously write out history Natalia, the boyar's daughter.“But first I must rest; the delight into which the appearance of my great-great-grandmother brought me exhausted my spiritual strength. I put down my pen for a few minutes - and let these written lines be an introduction, or a preface!
In the capital city of the glorious Russian kingdom, in white-stone Moscow, lived the boyar Matvey Andreev, a rich, intelligent man, a faithful servant of the king and, according to Russian custom, a great hospitable man. He owned many estates and was not an offender, but a patron and protector of his poor neighbors - which in our enlightened times, perhaps, not everyone will believe, but which in the old days was not at all considered a rarity. The king called him his right eye, and the right eye never deceived the king. When he had to sort out an important litigation, he called on boyar Matvey to help him, and boyar Matvey, laying a clean hand on a clean heart, said: “This one is right (not according to such and such a decree that took place in such and such a year, but) according to my conscience; this one is guilty according to my conscience” - and his conscience was always in agreement with the truth and with the royal conscience. The matter was decided without delay: the right one raised his teary eye of gratitude to the sky, pointing his hand at the good sovereign and the good boyar, and the guilty one ran into the dense forests to hide his shame from people.
We still cannot remain silent about one commendable custom of the boyar Matvey, a custom that is worthy of imitation in every century and in every kingdom, namely, on every twelfth holiday, long tables were set up in his upper rooms, covered with clean tablecloths, and the boyar, sitting on a bench next to of his high gates, he invited all the passing poor people to dine, as many of them could fit in the boyar’s dwelling; then, having collected the full number, he returned to the house and, indicating a place for each guest, sat down between them. Here, in one minute, bowls and dishes appeared on the tables, and the aromatic steam of the hot food, like a thin white cloud, hovered over the heads of the diners. Meanwhile, the owner talked kindly with the guests, found out their needs, served them good advice, offered his services and finally had fun with them as with friends. So in ancient patriarchal times, when the human age was not so short, an old man adorned with venerable gray hairs was satisfied with earthly blessings with his numerous family - he looked around him and, seeing on every face, in every gaze, a living image of love and joy, he admired in his soul. - After dinner, all the poor brothers, having filled their glasses with wine, exclaimed in one voice: “Good, good boyar and our father! We drink to your health! How many drops are in our glasses, live happily for so many years!” They drank, and their grateful tears dripped onto the white tablecloth.
Such was the boyar Matvey, the royal servant, true friend humanity. He had already passed sixty years, the blood was already circulating more slowly in his veins, the quiet fluttering of his heart heralded the onset of the evening of life and the approach of night - but is it good to be afraid of this thick, impenetrable darkness in which human days are lost? Should he be afraid of his shady path when his good heart is with him, when his good deeds are with him? He walks forward fearlessly, enjoys the last rays of the setting sun, turns his calm gaze to the past and with a joyful - albeit dark, but no less joyful foreboding - sets his foot into the unknown. - People's love, royal mercy were the reward of the virtuous old boyar; but the crown of his happiness and joy was the dear Natalya, his only daughter. He had long mourned her mother, who fell asleep in eternal sleep in his arms, but the cypresses of conjugal love were covered with the flowers of parental love - in young Natalya he saw a new image of the deceased, and, instead of bitter tears of sadness, sweet tears of tenderness shone in his eyes. There are many flowers in the field, in the groves and in the green meadows, but there is nothing like the rose; the rose is the most beautiful of all; There were many beauties in white-stone Moscow, for the Russian kingdom has been revered from time immemorial as a home of beauty and pleasures, but no beauty could compare with Natalya - Natalya was the most beautiful of all. Let the reader imagine the whiteness of Italian marble and Caucasian snow: he still will not imagine the whiteness of her face - and, imagining the color of her marshmallow mistress, he will still not have a perfect idea of the scarlet of Natalya’s cheeks. I am afraid to continue the comparison so as not to bore the reader with repetition of the familiar, for in our luxurious times the store of poetic likenings of beauty has become very depleted, and more than one writer bites his pen out of frustration, looking for and not finding new ones. It is enough to know that the most pious old men, seeing the boyar’s daughter at mass, forgot to bow to the ground, and the most partial mothers gave her priority over their daughters. Socrates said that physical beauty is always an image of spiritual beauty. We must believe Socrates, for he was, firstly, a skilled sculptor (hence, he knew the attributes of bodily beauty), and secondly, a sage or lover of wisdom (hence, he knew well spiritual beauty). At least our lovely Natalya had a lovely soul, was gentle as a turtle dove, innocent as a lamb, sweet as the month of May; in a word, she had all the qualities of a well-bred girl, although the Russians at that time did not read either Locke’s “On Education” or Russov’s “Emile” - firstly, because these authors were not yet in the world, and secondly, because they were poorly literate - they didn’t read and raised their children as nature raises grass and flowers, that is, they watered and fed them, leaving everything else to the mercy of fate, but this fate was merciful to them and for the power of attorney that they had to her omnipotence, she almost always rewarded them with kind children, consolation and support for their old days.
The main character of Karamzin's story is Natalya, the daughter of boyar Matvey Andreev. I believe that this heroine is the author’s ideal. With the image of Natalya Karamzin showed what a real woman should be.
Natalya Andreeva is a 17-year-old girl. She is very beautiful: “Natalia was the most beautiful of all.” Nothing could compare with the whiteness of her face and the redness of her cheeks. Natalya's black eyes, thick dark brown hair, and the tenderness of the girl's skin aroused everyone's admiration. Boyar Andreev doted on his beloved daughter.
But most beautiful of all was Natalya’s soul: “...our lovely Natalya had a lovely soul, was gentle as a turtle dove, innocent as a lamb, sweet as the month of May: in a word, she had all the qualities of a well-bred girl...”
Natalya loved her native Moscow very much, adored her father, and was sincerely attached to her nanny. The heroine spent the whole day doing business: embroidering, praying to God. But she was no stranger to entertainment. Natalya often went to visit her friends, where they had fun, but under the strict supervision of their elders. So Natalya lived peacefully and happily until she was 17 years old.
But soon one sadness began to gnaw at the heroine’s soul. She began to yearn for love, for her loved one. And when he appeared in her life, Natalya, without hesitation, followed her beloved to the ends of the earth. Alexey, the heroine’s lover, suggested that she run away from her parents’ house and get married secretly. Despite her great affection and gratitude to her father, Natalya chose her love. It seems to me that Karamzin admires his heroine. The author believes that this is exactly what a real woman should do.
In this serious situation, the heroine’s strong and firm character emerged. When she decided to run, nothing could turn the heroine off her intended path. Natalya unconditionally believed her lover. Alexey brought his wife to the forest house. But she didn’t even think of being scared, because her beloved gave his word that everything would be fine.
While married, the heroine also spent all her days at work. She did not forget her father and was very worried, leaving him alone in complete ignorance. Therefore, Alexei sent his man, who brought news about boyar Andreev every week.
So the couple lived in peace and harmony. But when they learned that the Lithuanians had attacked Moscow, they could not sit idly by. Natalya immediately decided to go on a military campaign with her husband. The heroine could not imagine life without Alexei. Like a faithful wife, she followed her betrothed everywhere. In order to be close to Alexei, Natalya dressed up as a teenager, not being afraid to change traditions.
In the end, everything ended well. Moscow was recaptured, Alexei was forgiven by the sovereign and boyar Andreev. The newlyweds lived happily in Moscow.
Natalia is the ideal heroine. She is beautiful both externally and internally. Modest and pure, she at the same time has a strong and lively character. Natalya is a faithful and devoted wife. Her happiness lies in the happiness of her husband, for whom the heroine will follow to the ends of the earth. Natalya trusts her Alexey unconditionally. It seems to me that it is in the character of his heroine that Karamzin sees the secret of her happiness.
Essay on literature on the topic: Characteristics of Natalya (based on N. M. Karamzin’s story “Natalya, the Boyar’s Daughter”)
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