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Bondarev hot snow very brief summary. Yuri Bondarev - hot snow. And even in battle there are conflicts

Bondarev hot snow very brief summary. Yuri Bondarev - hot snow. And even in battle there are conflicts

Colonel Deev's division was sent to Stalingrad. Its gallant composition included an artillery battery, led by Lieutenant Drozdovsky. One of the platoons was commanded by Kuznetsov, Drozdovsky’s college classmate.

There were twelve fighters in the Kuznetsov platoon, among whom were Ukhanov, Nechaev and Chibisov. The latter was in Nazi captivity, so he was not particularly trusted.

Nechaev used to work as a sailor and was very fond of girls. Often the guy looked after Zoya Elagina, who was a battery medical instructor.

Sergeant Ukhanov worked in the criminal investigation department in quiet times of peace, and then ended up doing the same educational institution, as Drozdovsky and Kuznetsov. Due to one unpleasant incident, Ukhanov did not receive the rank of officer, so Drozdovsky treated the guy with disdain. Kuznetsov was friends with him.

Zoya often resorted to the trailers where the Drozdov battery was located. Kuznetsov suspected that the medical instructor appeared in the hope of meeting with the commander.

Soon Deev arrived with unknown general. As it turned out, it was Lieutenant General Bessonov. He lost his son at the front and remembered him while looking at the young lieutenants.

The field kitchens lagged behind, the soldiers were hungry and ate snow instead of water. Kuznetsov tried to talk about this with Drozdovsky, but he abruptly interrupted the conversation. The army began to move on, cursing the elders who were disappearing somewhere.

Stalin sent the Deevsky division to the south to delay Hitler's strike group "Goth". This formed army was to be controlled by Pyotr Aleksandrovich Bessonov, an aloof and elderly soldier.

Bessonov was very worried about the disappearance of his son. The wife asked to take Victor into her army, but the young man did not want to. Pyotr Alexandrovich did not force him, and after a while he very much regretted that he had not saved his only child.

At the end of autumn, Bessonov’s main goal was to detain the Nazis who were stubbornly making their way to Stalingrad. It was necessary to make sure that the Germans retreated. A powerful tank corps was added to Bessonov's army.

At night, Deev’s division began preparing trenches on the banks of the Myshkovaya River. The soldiers dug into the frozen ground and scolded their commanders who had fallen behind the regiment along with the army kitchen. Kuznetsov recalled his native place; his sister and mother were waiting for him at home. Soon he and Zoya headed to Drozdovsky. The guy liked the girl and he imagined her in his cozy home.

The medical instructor remained face-to-face with Drozdovsky. The commander stubbornly hid their relationship from everyone - he did not want gossip and gossip. Drozdovsky believed that his dead parents had betrayed him and did not want Zoya to do the same to him. The fighter wanted the girl to prove her love, but Zoya could not afford to take certain steps...

During the first battle, the Junkers attacked, then began to attack the fascist tanks. While the active bombing was going on, Kuznetsov decided to use the gun sights and, together with Ukhanov, headed towards them. There friends found the mounts and a dying scout.

The scout was promptly taken to the OP. Kuznetsov selflessly continued to fight. Drozdovsky gave the order to Sergunenkov to knock out the self-propelled gun and gave him a couple of anti-tank grenades. The young boy failed to carry out the order and was killed along the way.

At the end of this weary day it became obvious that our army would not be able to withstand the onslaught of the enemy division. Fascist tanks broke through to the north of the river. General Bessonov gave the order to the others to fight to the end; he did not attract new troops, leaving them for the final powerful blow. Vesnin only now realized why everyone considered the general cruel...

The wounded intelligence officer reported that several people with a “tongue” were in the rear of the Nazis. A little later, the general was informed that the Nazis began to surround the army.

The counterintelligence commander arrived from the main headquarters. He handed Vesnin a German paper with a photo of Bessonov’s son and text describing how wonderfully they were looking after him in a German military hospital. Vesnin did not believe in Victor’s betrayal and did not give the leaflet to the general yet.

Vesnin died while fulfilling Bessonov’s request. The general was never able to find out that his child was alive.

The surprise German attack began again. In the rear, Chibisov shot at a man because he mistook him for an enemy. But later it became known that it was our intelligence officer, whom Bessonov never received. The remaining scouts, along with the German prisoner, were hiding near the damaged armored personnel carriers.

Soon Drozdovsky arrived with a medical instructor and Rubin. Chibisov, Kuznetsov, Ukhanov and Rubin went to help the scout. They were followed by a couple of signalmen, Zoya and the commander himself.

“Tongue” and one scout were quickly found. Drozdovsky took them with him and gave the order to look for the second one. The Germans noticed Drozdovsky's group and fired - the girl was wounded in the abdominal area, and the commander himself was shell-shocked.

Zoya was hastily carried to the crew, but they could not save her. Kuznetsov cried for the first time, the guy blamed Drozdovsky for what happened.

By evening, General Bessonov realized that it was impossible to detain the Germans. But they brought in a German prisoner who said that they had to use all their reserves. When the interrogation ended, the general learned of Vesnin's death.

The front commander contacted the general, saying that the tank divisions were safely moving to the rear of the Don army. Bessonov gave the order to attack the hated enemy. But then one of the soldiers found among the things of the deceased Vesnin a paper with a photograph of Bessonov Jr., but was afraid to give it to the general.

Has begun crucial moment. Reinforcements pushed the fascist divisions to the other side and began to surround them. After the battle, the general took various awards and went to the right bank. Everyone who heroically survived the battle received awards. The Order of the Red Banner went to all Kuznetsov’s fighters. Drozdovsky was also awarded, which displeased Ukhanov.

The battle continued. Nechaev, Rubin, Ukhanov and Kuznetsov drank alcohol with medals in their glasses...

Yu. Bondarev - novel " Hot Snow" In 1942-1943, a battle unfolded in Russia, which made a huge contribution to achieving a radical turning point in the Great Patriotic War. Thousands of ordinary soldiers, dear to someone, loving and loved by someone, did not spare themselves; with their blood they defended the city on the Volga, our future Victory. The battles for Stalingrad lasted 200 days and nights. But today we will remember only one day, one battle in which our whole life was focused. Bondarev’s novel “Hot Snow” tells us about this.

The novel “Hot Snow” was written in 1969. It is dedicated to the events near Stalingrad in the winter of 1942. Y. Bondarev says that his soldier’s memory prompted him to create the work: “I remembered a lot that over the years I began to forget: the winter of 1942, the cold, the steppe, icy trenches, tank attacks, bombings, the smell of burning and burnt armor ... Of course, if I had not taken part in the battle that the 2nd Guards Army fought in the Volga steppes in the fierce December of 1942 with Manstein’s tank divisions, then perhaps the novel would have been somewhat different. Personal experience and the time that lay between the battle and work on the novel allowed me to write exactly this way and not otherwise.”

This work is not a documentary, it is a military historical novel. “Hot Snow” is a story about “truth in the trenches.” Yu. Bondarev wrote: “Trench life includes a lot - from small details - the kitchen was not brought to the front line for two days - to the main human problems: life and death, lies and truth, honor and cowardice. In the trenches, a microcosm of soldier and officer appears on an unusual scale – joy and suffering, patriotism and expectation.” It is precisely this microcosm that is presented in Bondarev’s novel “Hot Snow”. The events of the work unfold near Stalingrad, south of the 6th Army of General Paulus, blocked by Soviet troops. General Bessonov's army repels the attack of the tank divisions of Field Marshal Manstein, who seeks to break through a corridor to Paulus's army and lead it out of encirclement. The outcome of the Battle of the Volga largely depends on the success or failure of this operation. The duration of the novel is limited to just a few days - these are two days and two frosty December nights.

The volume and depth of the image is created in the novel due to the intersection of two views on events: from the army headquarters - General Bessonov and from the trenches - Lieutenant Drozdovsky. The soldiers “did not know and could not know where the battle would begin; they did not know that many of them were making the last march of their lives before the battles. Bessonov clearly and soberly determined the extent of the approaching danger. He knew that in the Kotelnikovsky direction the front was barely holding on, that German tanks in three days we advanced forty kilometers in the direction of Stalingrad.”

In this novel, the writer demonstrates the skill of both a battle painter and a psychologist. Bondarev's characters are revealed broadly and voluminously - in human relationships, in likes and dislikes. In the novel, the past of the characters is significant. Thus, past events, actually curious ones, determined the fate of Ukhanov: a talented, energetic officer could have commanded a battery, but he was made a sergeant. Chibisov's past ( German captivity) gave rise to endless fear in his soul and thereby determined his entire behavior. The past of Lieutenant Drozdovsky, the death of his parents - all this largely determined the uneven, harsh, merciless character of the hero. In some details, the novel reveals to the reader the past of the medical instructor Zoya and the riders - the shy Sergunenkov and the rude, unsociable Rubin.

The past of General Bessonov is also very important for us. He often thinks about his son, an 18-year-old boy who disappeared in the war. He could have saved him by leaving him at his headquarters, but he did not. A vague feeling of guilt lives in the general’s soul. As events unfold, rumors appear (German leaflets, counterintelligence reports) that Victor, Bessonov’s son, was captured. And the reader understands that a person’s entire career is under threat. During the management of the operation, Bessonov appears before us as a talented military leader, an intelligent but tough person, sometimes merciless to himself and those around him. After the battle, we see him completely different: on his face there are “tears of delight, sorrow and gratitude,” he distributes awards to the surviving soldiers and officers.

The figure of Lieutenant Kuznetsov is depicted no less prominently in the novel. He is the antipode of Lieutenant Drozdovsky. In addition, a love triangle is outlined here: Drozdovsky - Kuznetsov - Zoya. Kuznetsov is brave, a good warrior and gentle, a kind person, suffering from everything that is happening and tormented by the consciousness of his own powerlessness. The writer reveals to us everything spiritual life this hero. Yes, before decisive battle Lieutenant Kuznetsov experiences a feeling of universal unity - “tens, hundreds, thousands of people in anticipation of an as yet unknown, imminent battle,” but in battle he feels self-forgetfulness, hatred of his possible death, complete unity with the weapon. It was Kuznetsov and Ukhanov who rescued their wounded scout, who was lying right next to the Germans, after the battle. An acute sense of guilt torments Lieutenant Kuznetsov when his rider Sergunenkov is killed. The hero becomes a powerless witness to how Lieutenant Drozdovsky sends Sergunenkov to certain death, and he, Kuznetsov, cannot do anything in this situation. The image of this hero is revealed even more fully in his attitude towards Zoya, in the nascent love, in the grief that the lieutenant experiences after her death.

The lyrical line of the novel is connected with the image of Zoya Elagina. This girl embodies tenderness, femininity, love, patience, self-sacrifice. The attitude of the fighters towards her is touching, and the author also sympathizes with her.

The author's position in the novel is clear: Russian soldiers are doing the impossible, something that exceeds real human strength. War brings death and grief to people, which is a violation of world harmony, the highest law. This is how one of the killed soldiers appears before Kuznetsov: “...now a shell box lay under Kasymov’s head, and his youthful, mustacheless face, recently alive, dark, had become deathly white, thinned by the eerie beauty of death, looked in surprise with damp cherry half-open eyes at his chest, torn into shreds, a dissected padded jacket, as if even after death he did not understand how it killed him and why he was never able to stand up to the gun.”

The title of the novel, which is an oxymoron – “hot snow”, also carries a special meaning. At the same time, this title carries a metaphorical meaning. Bondarev's hot snow is not only a hot, heavy, bloody battle; but this is also a certain milestone in the life of each of the characters. At the same time, the oxymoron “hot snow” echoes the ideological meaning of the work. Bondarev's soldiers do the impossible. Specific artistic details and plot situations are also associated with this image in the novel. So, during the battle, the snow in the novel becomes hot from gunpowder and red-hot metal; a captured German says that the snow is burning in Russia. Finally, the snow becomes hot for Lieutenant Kuznetsov when he lost Zoya.

Thus, Yu. Bondarev’s novel is multifaceted: it is filled with both heroic pathos and philosophical issues.

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During the Great Patriotic War The writer, as an artilleryman, went a long way from Stalingrad to Czechoslovakia. Among Yuri Bondarev’s books about the war, “Hot Snow” occupies a special place, opening up new approaches to solving moral and psychological problems posed in his first stories - “Battalions Ask for Fire” and “The Last Salvos”. These three books about the war are a holistic and developing world, which in “Hot Snow” reached its greatest completeness and imaginative power. The events of the novel “Hot Snow” unfold near Stalingrad, south of the 6th Army of General Paulus, blocked by Soviet troops, in the cold December 1942, when one of our armies was holding back a blow in the Volga steppe tank divisions Field Marshal Manstein, who sought to break through a corridor to Paulus’s army and lead it out of encirclement. The outcome of the Battle of the Volga and, perhaps, even the timing of the end of the war itself largely depended on the success or failure of this operation. The duration of the novel is limited to just a few days, during which Yuri Bondarev's heroes selflessly defend a tiny patch of land from German tanks. In “Hot Snow,” time is compressed even more tightly than in the story “Battalions Ask for Fire.” “Hot Snow” is a short march of General Bessonov’s army disembarking from the echelons and a battle that decided so much in the fate of the country; these are cold frosty dawns, two days and two endless December nights. Without lyrical digressions, as if the author’s breath was caught from constant tension, the novel “Hot Snow” is distinguished by its directness, direct connection of the plot with the true events of the Great Patriotic War, with one of its decisive moments. The life and death of the novel's heroes, their very destinies are illuminated by the disturbing light of true history, as a result of which everything acquires special weight and significance. In the novel, Drozdovsky's battery absorbs almost all the reader's attention; the action is concentrated primarily around a small number of characters. Kuznetsov, Ukhanov, Rubin and their comrades - a particle great army , they are a people, a people to the extent that the typified personality of the hero expresses the spiritual, moral traits of the people. In “Hot Snow,” the image of the people who have risen to war appears before us in a completeness of expression previously unprecedented in Yuri Bondarev, in the richness and diversity of characters, and at the same time in integrity. This image is not limited to the figures of young lieutenants - commanders of artillery platoons, nor the colorful figures of those who are traditionally considered to be people from the people, such as the slightly cowardly Chibisov, the calm and experienced gunner Evstigneev, or the straightforward and rude, riding Rubin; nor by senior officers, such as the division commander, Colonel Deev, or the army commander, General Bessonov. Only together, with all the difference in ranks and titles, they form the image of a fighting people. The strength and novelty of the novel lies in the fact that this unity is achieved as if by itself, captured without much effort by the author - with living, moving life. The death of heroes on the eve of victory, the criminal inevitability of death contains a high tragedy and provokes a protest against the cruelty of the war and the forces that unleashed it. The heroes of “Hot Snow” die - battery medical instructor Zoya Elagina, shy rider Sergunenkov, member of the Military Council Vesnin, Kasymov and many others die... And the war is to blame for all these deaths. Even if the callousness of Lieutenant Drozdovsky is to blame for the death of Sergunenkov, even if the blame for Zoya’s death falls partly on him, but no matter how great Drozdovsky’s guilt, they are, first of all, victims of war. The novel expresses an understanding of death as a violation of the highest justice and harmony. Let us remember how Kuznetsov looks at the murdered Kasymov: “Now a shell box lay under Kasymov’s head, and his youthful, mustacheless face, recently alive, dark, had become deathly white, thinned by the eerie beauty of death, looked in surprise with damp cherry half-open eyes at his chest , at the torn into shreds, dissected padded jacket, even after death he did not understand how it killed him and why he was never able to stand at the gunpoint.” Kuznetsov feels even more acutely the irreversibility of the loss of his driver Sergunenkov. After all, the very mechanism of his death is revealed here. Kuznetsov turned out to be a powerless witness to how Drozdovsky sent Sergunenkov to certain death, and he, Kuznetsov, already knows that he will forever curse himself for what he saw, was present, but was unable to change anything. In “Hot Snow”, with all the tension of events, everything human in people, their characters do not live separately from the war, but are interconnected with it, constantly under its fire, when, it seems, they cannot even raise their heads. Usually the chronicle of battles can be retold separately from the individuality of its participants - the battle in “Hot Snow” cannot be retold otherwise than through the fate and characters of people. The past of the characters in the novel is significant and significant. For some it is almost cloudless, for others it is so complex and dramatic that the former drama does not remain behind, pushed aside by the war, but accompanies a person in the battle southwest of Stalingrad. The events of the past determined Ukhanov’s military fate: a gifted officer, full of energy, who should have commanded a battery, but he is only a sergeant. Ukhanov’s cool, rebellious character also determines his movement within the novel. Chibisov's past troubles, which almost broke him (he spent several months in German captivity), resonated with fear and determined a lot in his behavior. One way or another, the novel glimpses the past of Zoya Elagina, Kasymov, Sergunenkov and the unsociable Rubin, whose courage and loyalty to soldier’s duty we will be able to appreciate only by the end of the novel. The past of General Bessonov is especially important in the novel. The thought of his son being captured by the Germans complicates his position both at headquarters and at the front. And when a fascist leaflet informing that Bessonov’s son was captured falls into the hands of Lieutenant Colonel Osin from the counterintelligence department of the front, it seems that a threat has arisen to Bessonov’s service. Probably the most mysterious thing in the world of human relationships in the novel is the love that arises between Kuznetsov and Zoya. The war, its cruelty and blood, its timing, overturning the usual ideas about time - it was precisely this that contributed to such a rapid development of this love. After all, this feeling developed in those short hours of march and battle, when there is no time to think and analyze one’s feelings. And it all begins with Kuznetsov’s quiet, incomprehensible jealousy of the relationship between Zoya and Drozdovsky. And soon - so little time passes - Kuznetsov is already bitterly mourning the deceased Zoya, and it is from these lines that the title of the novel is taken, when Kuznetsov wiped his face wet from tears, “the snow on the sleeve of his quilted jacket was hot from his tears.” Having initially been deceived by Lieutenant Drozdovsky, the best cadet at that time, Zoya throughout the novel reveals herself to us as a moral, integral person, ready for self-sacrifice, capable of embracing with her heart the pain and suffering of many. She seems to go through many tests, from annoying interest to rude rejection. But her kindness, her patience and compassion are enough for everyone, she is truly a sister to the soldiers. The image of Zoya somehow imperceptibly filled the atmosphere of the book, its main events, its harsh, cruel reality with the feminine principle, affection and tenderness. One of the most important conflicts in the novel is the conflict between Kuznetsov and Drozdovsky. A lot of space is given to this conflict; it is exposed very sharply and can be easily traced from beginning to end. At first there is tension, going back into the background of the novel; inconsistency of characters, manners, temperaments, even style of speech: the soft, thoughtful Kuznetsov seems to find it difficult to endure Drozdovsky’s abrupt, commanding, indisputable speech. Long hours of battle, the senseless death of Sergunenkov, the mortal wound of Zoya, for which Drozdovsky was partly to blame - all this forms a gap between the two young officers, the moral incompatibility of their existences. In the finale, this abyss is indicated even more sharply: the four surviving artillerymen consecrate the newly received orders in a soldier’s bowler hat, and the sip that each of them takes is, first of all, a funeral sip - it contains bitterness and grief of loss. Drozdovsky also received the order, because for Bessonov, who awarded him, he is a survivor, a wounded commander of a surviving battery, the general does not know about Drozdovsky’s grave guilt and most likely will never know. This is also the reality of war. But it’s not for nothing that the writer leaves Drozdovsky aside from those gathered at the soldier’s bowler hat. The ethical and philosophical thought of the novel, as well as its emotional tension, reaches its greatest heights in the finale, when an unexpected rapprochement between Bessonov and Kuznetsov occurs. This is a rapprochement without immediate proximity: Bessonov awarded his officer along with others and moved on. For him, Kuznetsov is just one of those who stood to death at the turn of the Myshkova River. Their closeness turns out to be more sublime: it is the closeness of thought, spirit, and outlook on life. For example, shocked by the death of Vesnin, Bessonov blames himself for the fact that, due to his unsociability and suspicion, he prevented friendly relations from developing between them (“the way Vesnin wanted and the way they should be”). Or Kuznetsov, who could do nothing to help Chubarikov’s crew, which was dying before his eyes, tormented by the piercing thought that all this “seemed to have happened because he did not have time to get close to them, to understand each one, to fall in love...”. Separated by the disproportion of responsibilities, Lieutenant Kuznetsov and the army commander, General Bessonov, are moving towards one goal - not only military, but also spiritual. Suspecting nothing about each other's thoughts, they think about the same thing and seek the truth in the same direction. Both of them demandly ask themselves about the purpose of life and whether their actions and aspirations correspond to it. They are separated by age and related, like father and son, or even like brother and brother, love for the Motherland and belonging to the people and to humanity in the highest sense of these words.

During the Great Patriotic War, the writer, as an artilleryman, went a long way from Stalingrad to Czechoslovakia. Among Yuri Bondarev’s books about the war, “Hot Snow” occupies a special place, opening up new approaches to solving moral and psychological problems posed in his first stories - “Battalions Ask for Fire” and “The Last Salvos”. These three books about the war are a holistic and developing world, which in “Hot Snow” reached its greatest completeness and imaginative power.

The events of the novel “Hot Snow” unfold near Stalingrad, south of the 6th Army of General Paulus, blocked by Soviet troops, in the cold December 1942, when one of our armies held back in the Volga steppe the attack of the tank divisions of Field Marshal Manstein, who sought to break through a corridor to Paulus’s army and get her out of the environment. The outcome of the Battle of the Volga and, perhaps, even the timing of the end of the war itself largely depended on the success or failure of this operation. The duration of the novel is limited to just a few days, during which Yuri Bondarev's heroes selflessly defend a tiny patch of land from German tanks.

In “Hot Snow,” time is compressed even more tightly than in the story “Battalions Ask for Fire.” “Hot Snow” is a short march of General Bessonov’s army disembarking from the echelons and a battle that decided so much in the fate of the country; these are cold frosty dawns, two days and two endless December nights. Without lyrical digressions, as if the author’s breath was caught from constant tension, the novel “Hot Snow” is distinguished by its directness, direct connection of the plot with the true events of the Great Patriotic War, with one of its decisive moments. The life and death of the novel's heroes, their very destinies are illuminated by the disturbing light of true history, as a result of which everything acquires special weight and significance.

In the novel, Drozdovsky's battery absorbs almost all the reader's attention; the action is concentrated primarily around a small number of characters. Kuznetsov, Ukhanov, Rubin and their comrades are a part of the great army, they are the people, the people to the extent that the typified personality of the hero expresses the spiritual, moral traits of the people.

In “Hot Snow,” the image of the people who have risen to war appears before us in a completeness of expression previously unprecedented in Yuri Bondarev, in the richness and diversity of characters, and at the same time in integrity. This image is not limited to the figures of young lieutenants - commanders of artillery platoons, nor the colorful figures of those who are traditionally considered to be people from the people, such as the slightly cowardly Chibisov, the calm and experienced gunner Evstigneev, or the straightforward and rude, riding Rubin; nor by senior officers, such as the division commander, Colonel Deev, or the army commander, General Bessonov. Only together, with all the difference in ranks and titles, they form the image of a fighting people. The strength and novelty of the novel lies in the fact that this unity is achieved as if by itself, captured without much effort by the author - with living, moving life.

The death of heroes on the eve of victory, the criminal inevitability of death contains a high tragedy and provokes a protest against the cruelty of the war and the forces that unleashed it. The heroes of “Hot Snow” die - battery medical instructor Zoya Elagina, shy rider Sergunenkov, member of the Military Council Vesnin, Kasymov and many others die... And the war is to blame for all these deaths. Even if the callousness of Lieutenant Drozdovsky is to blame for the death of Sergunenkov, even if the blame for Zoya’s death falls partly on him, but no matter how great Drozdovsky’s guilt, they are, first of all, victims of war.

The novel expresses an understanding of death as a violation of the highest justice and harmony. Let us remember how Kuznetsov looks at the murdered Kasymov: “Now a shell box lay under Kasymov’s head, and his youthful, mustacheless face, recently alive, dark, had become deathly white, thinned by the eerie beauty of death, looked in surprise with damp cherry half-open eyes at his chest , at the torn into shreds, dissected padded jacket, even after death he did not understand how it killed him and why he was never able to stand at the gunpoint.”

Kuznetsov feels even more acutely the irreversibility of the loss of his driver Sergunenkov. After all, the very mechanism of his death is revealed here. Kuznetsov turned out to be a powerless witness to how Drozdovsky sent Sergunenkov to certain death, and he, Kuznetsov, already knows that he will forever curse himself for what he saw, was present, but was unable to change anything.

In “Hot Snow”, with all the tension of events, everything human in people, their characters do not live separately from the war, but are interconnected with it, constantly under its fire, when, it seems, they cannot even raise their heads. Usually the chronicle of battles can be retold separately from the individuality of its participants - the battle in “Hot Snow” cannot be retold otherwise than through the fate and characters of people.

The past of the characters in the novel is significant and significant. For some it is almost cloudless, for others it is so complex and dramatic that the former drama does not remain behind, pushed aside by the war, but accompanies a person in the battle southwest of Stalingrad. The events of the past determined Ukhanov’s military fate: a gifted officer, full of energy, who should have commanded a battery, but he is only a sergeant. Ukhanov’s cool, rebellious character also determines his movement within the novel. Chibisov's past troubles, which almost broke him (he spent several months in German captivity), resonated with fear and determined a lot in his behavior. One way or another, the novel glimpses the past of Zoya Elagina, Kasymov, Sergunenkov and the unsociable Rubin, whose courage and loyalty to soldier’s duty we will be able to appreciate only by the end of the novel.

The past of General Bessonov is especially important in the novel. The thought of his son being captured by the Germans complicates his position both at headquarters and at the front. And when a fascist leaflet informing that Bessonov’s son was captured falls into the hands of Lieutenant Colonel Osin from the counterintelligence department of the front, it seems that a threat has arisen to Bessonov’s service.

Probably the most mysterious thing in the world of human relationships in the novel is the love that arises between Kuznetsov and Zoya. The war, its cruelty and blood, its timing, overturning the usual ideas about time - it was precisely this that contributed to such a rapid development of this love. After all, this feeling developed in those short hours of march and battle, when there is no time to think and analyze one’s feelings. And it all begins with Kuznetsov’s quiet, incomprehensible jealousy of the relationship between Zoya and Drozdovsky. And soon - so little time passes - Kuznetsov is already bitterly mourning the deceased Zoya, and it is from these lines that the title of the novel is taken, when Kuznetsov wiped his face wet from tears, “the snow on the sleeve of his quilted jacket was hot from his tears.”

Having initially been deceived by Lieutenant Drozdovsky, the best cadet at that time, Zoya throughout the novel reveals herself to us as a moral, integral person, ready for self-sacrifice, capable of embracing with her heart the pain and suffering of many. She seems to go through many tests, from annoying interest to rude rejection. But her kindness, her patience and compassion are enough for everyone, she is truly a sister to the soldiers. The image of Zoya somehow imperceptibly filled the atmosphere of the book, its main events, its harsh, cruel reality with the feminine principle, affection and tenderness.

One of the most important conflicts in the novel is the conflict between Kuznetsov and Drozdovsky. A lot of space is given to this conflict; it is exposed very sharply and can be easily traced from beginning to end. At first there is tension, going back into the background of the novel; inconsistency of characters, manners, temperaments, even style of speech: the soft, thoughtful Kuznetsov seems to find it difficult to endure Drozdovsky’s abrupt, commanding, indisputable speech. Long hours of battle, the senseless death of Sergunenkov, the mortal wound of Zoya, for which Drozdovsky was partly to blame - all this forms a gap between the two young officers, the moral incompatibility of their existences.

In the finale, this abyss is indicated even more sharply: the four surviving artillerymen consecrate the newly received orders in a soldier’s bowler hat, and the sip that each of them takes is, first of all, a funeral sip - it contains bitterness and grief of loss. Drozdovsky also received the order, because for Bessonov, who awarded him, he is a survivor, a wounded commander of a surviving battery, the general does not know about Drozdovsky’s grave guilt and most likely will never know. This is also the reality of war. But it’s not for nothing that the writer leaves Drozdovsky aside from those gathered at the soldier’s bowler hat.

The ethical and philosophical thought of the novel, as well as its emotional tension, reaches its greatest heights in the finale, when an unexpected rapprochement between Bessonov and Kuznetsov occurs. This is a rapprochement without immediate proximity: Bessonov awarded his officer along with others and moved on. For him, Kuznetsov is just one of those who stood to death at the turn of the Myshkova River. Their closeness turns out to be more sublime: it is the closeness of thought, spirit, and outlook on life. For example, shocked by the death of Vesnin, Bessonov blames himself for the fact that, due to his unsociability and suspicion, he prevented friendly relations from developing between them (“the way Vesnin wanted and the way they should be”). Or Kuznetsov, who could do nothing to help Chubarikov’s crew, which was dying before his eyes, tormented by the piercing thought that all this “seemed to have happened because he did not have time to get close to them, to understand each one, to fall in love...”.

Separated by the disproportion of responsibilities, Lieutenant Kuznetsov and the army commander, General Bessonov, are moving towards one goal - not only military, but also spiritual. Suspecting nothing about each other's thoughts, they think about the same thing and seek the truth in the same direction. Both of them demandly ask themselves about the purpose of life and whether their actions and aspirations correspond to it. They are separated by age and related, like father and son, or even like brother and brother, love for the Motherland and belonging to the people and to humanity in the highest sense of these words.

The action of the work takes place in war time. Colonel Deev's division is sent to Stalingrad to repel the enemy group. The battle goes on for many days and nights. During the battle, many German and Soviet soldiers die.

The new army is led by General Bessonov, a cruel man. He thinks that his son died during the battle and blames himself for this. Vesnin learns that the general's son is alive and is in a German hospital, but does not dare to inform Bessonov about this. Vesnin dies and the general does not know the truth about his child. Soviet soldiers still managed to repel the enemies. The general presented orders and medals to the soldiers for the courage and heroism they showed in battle.

The work teaches that it is necessary to remain human in any situation, to have a feeling of pity even in wartime. Teaches patriotism, devotion, camaraderie.

Read the summary Bondarev's Hot Snow

The events of the work unfold during the Great Patriotic War in 1942. Colonel Deev's division was constantly sent to guard Stalingrad. The division included a battery under the close leadership of Lieutenant Drozdovsky. The platoon was led by Kuznetsov, who had previously studied with Drozdov at the same school.

The platoon consisted of 12 soldiers, among whom Nechaev, Chibisov and Ukhanov stood out.

Sergeant Ukhanov worked in the police before the war, then received his education at the Aktobe School, where his commanders studied. Once Ukhanov left the platoon without permission and returned through the toilet window; the head of his division personally saw all this. After this, one could no longer dream of becoming an officer. Drozdovsky neglected Ukhanov, but Kuznetsov treated him well.

Nechaev was a sailor in peacetime and did not miss a single skirt. Even while in the service, he shows sympathy for Zoya Elagina, the medical instructor of the battery. The girl was pretty and attracted the attention of many men. Especially during wartime, when there was a shortage of women.

Chibisov was captured by the Nazis, so many do not trust him and cast contemptuous glances at him.

One day he arrived at Deev’s platoon with some unfamiliar general. Later it turned out that this was General Bessonov Pyotr Aleksandrovich.

Since the military kitchen lagged behind the soldiers, the military was forced to use snow instead of water.

By order of Stalin, the division led by Deev was to be sent south to fight the Germans. military group"Goth". Commander-in-Chief new army Bessonov P.A. was appointed.

The lieutenant general was very worried after the death of his only son, who died at the front. His wife Olga repeatedly urged him to take his son into her service, but the father did not want to impose himself. After what happened, of course, he was very sorry.

In November, the battle of the Stalingrad and Don fronts against the Nazis was fought. Hitler ordered Operation Winter Storm to begin. Its essence was for German troops to encircle the Don. After half a month, the enemies were 45 km from the city. Now Bessonov wanted to detain the Germans, who were very close to Stalingrad. The general's army received support from a tank division.

Deev's division was diligently preparing for the meeting with the fascists. Kuznetsov felt nostalgia for his native land, for close people. He imagined how he would bring Zoya to his cozy house.

The girl was left alone with Drozdovsky. There was love between them, but the commander carefully hid his relationship from others. Because he was afraid that Zoya might betray him, like his late parents did. He wanted his beloved to prove her devotion to him, but Zoya simply could not do some things.

Many of our soldiers died in the first battle. Despite this, General Bessonov ordered not to retreat, but to fight until victory, while he did not send new troops, leaving them in reserve to finish off the enemy. Vesnin now understood why Bessonov was considered a cruel person.

The general was informed that the Russian army was surrounded by fascist troops.

A man came from counterintelligence and gave Vesnin a letter from the Germans, which contained a photo of Bessonov’s son and indicated that he was in their hospital. But Vesnin could not believe the young man’s betrayal and did not yet convey the message to the lieutenant general.

Vesnin died while performing his official duties, and Bessonov never found out that his son was alive.

The battle began again. Chibisov killed a man, mistaking him for an enemy. Then it turned out that it was our intelligence officer.

After some time, Drozdovsky arrived with Zoya and Rubin. All together they went to help the scout. They were noticed by the Nazis, who began shelling. As a result, Zoya was wounded, and Drozdovsky was shell-shocked. They wanted to save the girl, but did not have time. Kuznetsov was upset, he cried and blamed the commander for what happened.

In the evening, the general learned from a German intelligence officer that they had exhausted all their reserves. On the same day, Bessonov learned of Vesnin’s death.

The general gave the order to attack the Germans. At that moment, one of the soldiers found a photograph of Victor, Bessonov’s son, but was afraid to give it away.

The finishing moment has arrived. The Nazis began to retreat back, and Soviet troops surrounded them. Bessonov took the awards and went to present them to those heroes who courageously fought for their Motherland. All fighters of Kuznetsov's platoon received medals.

The fight continued. Kuznetsov’s friends sat and drank alcoholic drinks, dropping medals in them...

Bondarev hot snow very brief summary. Yuri Bondarev - hot snow. And even in battle there are conflicts

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